Musicals

Musicals have long been a polarizing art form, with countless individuals dismissing them outright. The most common critique I encounter is the perceived lack of realism—a sentiment that seemingly undermines the genre’s unique storytelling potential. Yet, beneath this surface-level objection lies a misunderstood world of emotional expression and artistic innovation.

While musicals may not appeal to everyone, dismissing the entire genre means missing out on numerous exceptional films and theatrical performances that offer rich storytelling, compelling characters, and innovative artistic expression.

If not for “The Sound of Music,” most of us would not have experienced the takeover of Austria by the Germans, other than in a clinical sense. If not for “Fiddler on the Roof,” most of us would not be aware of what the Jews went through during the final years of Czarist Russia, which is a very important part of human history. Some might argue against me, but “South Pacific” and “The King and I” brought up racial subjects that were right on the edge in their day.

The timeless melodies of classic musicals transcend generations, breathing life into narratives that might otherwise fade. “Sound of Music” exemplifies this phenomenon, captivating audiences decades after its initial release. Its enduring appeal suggests a universal resonance that speaks to contemporary viewers as powerfully as it did to its original audience, proving that great storytelling, enhanced by memorable music, can create an emotional connection that defies time.

Fiddler on the Roof stands out as a timeless masterpiece that transcends musical entertainment. Its profound narrative explores cultural traditions and social change with remarkable depth. The musical’s songs, particularly poignant pieces like “Sunrise, Sunset,” beautifully capture the emotional landscape of Jewish life in early 20th century Russia. Beyond its melodic brilliance, the story offers rich historical insights that could profoundly educate students about cultural identity, family dynamics, and societal transformation. The work’s thematic richness makes it an invaluable educational resource, deserving of broader recognition in academic settings.

Humor often serves as a crucial element in storytelling, providing levity and emotional relief that can make narratives more engaging and memorable. The inclusion of lighthearted moments not only breaks tension but also creates a more relatable and enjoyable experience for the audience.

While musicals often showcase exceptional musical compositions, not all achieve a perfect balance between narrative and score. Some productions primarily serve as platforms for memorable melodies, which can still be thoroughly enjoyable. However, certain musicals, like Desert Song, possess narratives so minimal that the music becomes the primary driving force. In such cases, removing the musical elements would leave behind a skeletal storyline.

Memories of Music

One thing you young people will find is that the music you listen to today will help form your memories of tomorrow. I can remember listening to music when I was four. Oddly, they are some of my strongest memories, perhaps because they were reinforced so often. I am sure I listened to “Whispering Hope” sung by Gordon MacRae and Jo Stafford close to a thousand times within a few years. It is still my favorite song, and when I am going through trying times, I will listen to it 5 to 10 times.

The point of my post is that tonight I was listening to a show where many songs were being sung that brought back many wonderful memories. Almost every song they sang was old, and they brought back really good memories.

Then they sang “Cotton Fields (Back Home).” I remembered it immediately, but I was having trouble with the lyrics. Worse, I couldn’t remember the name of the song.

Naturally, I went running for my computer pad and started looking into it. I’m glad I did. The one place I listened to it the most was by Danny Davis and the Nashville Brass. I guess we bought the album around 1974 or 1975.

It was an instrumental, which explains why I had trouble with the words. However, there was an oddity noticed, which I am sure you can verify. This song must be close to holding the record for being the most recorded song ever. I think I came across close to a dozen without trying. I was trying to find a copy of the album we bought back in 1975. I gave up looking. I am sure someone would like to sell me a CD or MP3 copies of the album, but all I could find were cassettes.

Nonetheless, my wife told me of an error in the lyrics. There is no place in Louisiana a mile from Texarkana. I guess we can still pretend. It’s a nice song, anyway.